MAS Supports Designation of Ridgewood North Historic District
December 16th, 2008
The proposed Ridgewood North Historic District is comprised of the earliest examples of “Mathews Model Flats,” built by speculative developer Gustave X. Mathews and designed by architect Louis Allmendinger between 1908 and 1911. Considered to be some of the most innovative housing in New York City, these “new law” tenements were designed with more space and better sanitation than their overcrowded 19th Century counterparts. By making use of generous lot sizes, introducing wide air shafts to provide improved air and light quality, including bathrooms in each unit, and controlling occupancy, Mathews established a new housing paradigm that was a welcome departure from the congested, polluted slums of the Lower East Side. The three story apartment buildings were simple, sturdy, and relatively cheap to construct, and therefore became the standard for subsequent tenement house construction. Exhibited at the 1915 Panama Pacific Fair in San Francisco, the Mathews Model Flats were heralded as an exceptional achievement in affordable housing. Continue Reading>>









Last October, MAS launched ImagineConey, an initiative to develop bold new ideas for the future of Coney Island. Since then, more than 500 New Yorkers and an international team of experts have contributed their ideas through a “
The Ear Inn, aka the James Brown House, located at 326 Spring Street in Manhattan, has nearly two centuries of incredible history.
Irascible and caustic, tender and enthusiastic, more than a mercurial innovator, Le Corbusier was considered to be the very conscience of modern architecture. At tomorrow night’s book program and lecture, Nicholas Fox Weber author of the new biography of the man, Le Corbusier – A Life, will discuss Le Corbusier the precise, mathematical, practical-minded artist whose idealism — vibrant, poetic, imaginative; discipline; and sensuality were reflected in his iconic designs and pioneering theories of architecture and urban planning. Weber’s engrossing, entertaining portrait of his complex personality is full of provocative insights and welcome surprises.
The Third Church of Christ, Scientist, at 583 Park Avenue, located on Manhattan’s Upper East Side, won a legal victory against the City that is of great concern to the Municipal Art Society (
On Monday, December 1, Community Board 4 held a public forum on the plans for the Eastern Rail Yards at Penn Station (the area of the rail yards between tenth and eleventh avenues and 30th and 33rd Streets). Related Properties presented their concept for the area, which abuts the Eastern Spur of the High Line along its Southern boundary.
The Municipal Art Society hosted its third Continuing Legal Education (CLE) course of the fall earlier today. Commercial Uses of Parkland: The Law Governing New York’s Open Spaces, was moderated by Michael Gruen, Esq. and co-sponsored by the Environmental Law Section and Historic Preservation and Parks Committee of the New York State Bar Association, focused on issues surrounding the use and alienation of parks in New York City and State. Panelists highlighted the significant case law, doctrine, and policy concerns that shape and determine New York parks and commercial uses within them.
Last Sunday, the Cathedral Church of St. John the Divine was rededicated seven years after a fire which spread smoke and soot throughout the sanctuary. The painstaking cleaning has removed decades of grime and transformed the church into a light-filled space in which architectural details can be seen for the first time in living memory, from carvings in the once-dark corners of the chapels to bas-relief angels some 200 feet overhead. If you have a head for heights, sign up now for the members-only vertical tour plus Matt Postal commentary on Saturday, December 13. Call 212-935-2075 to RSVP. $30. Tours begin at 10:45 a.m. and 11:45 a.m. Space is limited.
The
Last Friday, 30-odd MAS tour-takers boarded a train at Grand Central bound for New Haven. In two hours, the group of us were standing outside of Kahn’s Yale University Art Gallery, across the street from one of the most controversial buildings ever erected. What was formerly known as Yale’s School of Art and Architecture is hand-battered concrete, a Brutalist design that was so disliked in the 1960s that many assumed the 1969 fire was arson (it wasn’t). Now the building has been restored and rehabilitated and renamed for Paul Rudolph. A comprehensive book on Rudolph has yet to be written, but the building is an exhilarating illustration of his ability to visualize, and to manipulate space.